Due to illness/doctor ordered vocal rest for Trampled by Turtles’ singer Dave Simonett, the Trampled by Turtles show at The State Theater of Ithaca scheduled for November 13th, 2022 has been moved to December 28th, 2022.
All tickets will be honored for the new date. If you are unable to make the new date, refunds are available up until Friday 11/25 by contacting the State Theatre box office at firstname.lastname@example.org.
Please reach out to the State Theatre of Ithaca Box Office at email@example.com with any questions. Please be patient during the refund window; if we receive your email request prior to the deadline, you will receive your refund.
Trampled by Turtles are from Duluth, Minnesota, where frontman Dave Simonett initially formed the group as a side project in 2003. At the time, Simonett had lost most of his music gear, thanks to a group of enterprising car thieves who’d ransacked his vehicle while he played a show with his previous band. Left with nothing more than an acoustic guitar, he began piecing together a new band, this time taking inspiration from bluegrass, folk, and other genres that didn’t rely on amplification. Simonett hadn’t played any bluegrass music before, and he filled his lineup with other newcomers to the genre, including fiddler Ryan Young (who’d previously played drums in a speed metal act) and bassist Tim Saxhaug. Along with mandolinist Erik Berry and banjo player Dave Carroll, the group began carving out a fast, frenetic sound that owed as much to rock & roll as bluegrass.
Trampled by Turtles released their first record, Songs from a Ghost Town, in 2004. In a genre steeped in tradition, the album stood out for its contemporary sound, essentially bridging the gap between the bandmates’ background in rock music and their new acoustic leanings. Blue Sky and the Devil (2005) and Trouble (2007) explored a similar sound, but it wasn’t until 2008 and the band’s fourth release, Duluth, that Trampled by Turtles received recognition by the bluegrass community. Duluth peaked at number eight on the Billboard bluegrass chart and paved the way for a number of festival appearances. When Palomino arrived in 2010, it was met with an even greater response, debuting at the top of the bluegrass chart and remaining in the Top Ten for more than a year. Two years later, their crossover appeal landed them at number 32 on the Billboard 200 pop charts upon the release of their sixth album, Stars and Satellites. In addition to major bluegrass and folk festivals, they began showing up at Coachella, ACL Fest, and Lollapalooza. The official concert album, Live at First Avenue, followed in 2013, recorded at Minnesota’s most famous venue. A year later, the band returned with the darker-toned Wild Animals, which bettered its studio predecessor on the album charts, reaching number 29 on Billboard. Countless tours with bands like Lord Huron, Wilco, Caamp, Mt Joy and Deer Tick to name a few have followed. 2022 will see the release of the band’s latest body of work called Alpenglow which was produced by Jeff Tweedy of Wilco.
Langhorne Slim didn’t write a song for more than a year. A battle with clinical anxiety disorder and prescription drug abuse, which came to a head in 2019, had dimmed the light within. The man who once seemed to ooze spontaneity was now creatively adrift, stumbling along in the fog.
In December, he entered a program and, for the first time in a long time, a path toward healing began to emerge. He began to see that inner peace was possible, even with the world outside raging.
A few months later, in February, a tornado came and decimated East Nashville, his adopted hometown. Covid-19 took root just days later, changing lives forever. In the early days of his recovery, a different reality was beginning to take shape, both within and without. New worlds were being born; old worlds were dying.
Knowing he was struggling to write songs and make sense of it all, Slim was finally able to flesh out a throwaway ditty one afternoon. His close friend Mike then suggested he try penning a song a day. Slim didn’t like the idea, but he gave it a shot.
To his surprise, the songs came. In a flurry of stream-of-consciousness writing, the new tunes tumbled out, one after another, like little starbursts of joy, gifts from the gods you might say. Slim was tuning out the noise and finding beauty in the madness of a world coming undone. Over the course of a couple of months from March to May, Slim penned more than twenty that were certified keepers. Out of this bumper crop came the songs that make up his new album, Strawberry Mansion, which is being released this winter on Dualtone Records.
“I wasn’t sitting on the songs and I wasn’t overthinking them,” Slim says of the writing process of those months. “Something cracked open with the slowing down and the stillness of quarantine.
After finishing a song, whether he liked the tune or not, he’d call Mike, a videographer, and they’d record it and post it to Instagram. It was a form of therapy, he now realizes. “There was nothing precious about the process and it was a bonding thing between me and Mike as much as anything else,” Slim says. “It also gave me a release and maybe some potential form of healing, and was an opportunity to not always listen to the shitty thoughts in my head. I wasn’t ever thinking that I was writing songs for a new record.”
Prior to this creative outburst, Slim’s anxiety had grown so acute there were times when he actually feared picking up his guitar and trying to write. With the help of therapy and friends, he was now learning to confront his demons rather than run from them. So, in the midst of a panic attack one day, he picked up his guitar and the song “Panic Attack” was born. It’s a raw, off-the-cuff number that rises above the dark subject matter with spirit, irony and humor. “I called a healthcare professional/ Wanna speak to someone confidentially/ Don’t know just how I’m feelin’/ But I’m feelin’ feelings exponentially,” he sings.
Album-opener “Mighty Soul” details a world beset by Biblical-grade plagues (coronavirus, the Nashville tornado) and government malfunction. It ultimately calls for healing through community and the recognition that we can all make a difference. It functions as the album’s spiritual center, a secular gospel number for all mankind.
“Morning Prayer” is inspired by the songwriter’s effort to pray for the first time in his life. “It’s not in the key of any one religion,” Slim says of the number. “For this, I’m grateful that my guitar was unknowingly yet appropriately out of tune. It’s a song to help me practice compassion, surrender, connection to nature, the spirits and beyond.”
The second part of “Morning Prayer” is one of the most affecting moments on Strawberry Mansion, with the singer reaching out and offering prayers for his loved ones who are struggling, for all of humanity, really. “For my friends who suffer/ For my mother, father and brother/ For a world down on its knees/ I pray for thee,” he sings with great poignancy.
The road to Strawberry Mansion, which was recorded at Daylight Sound in Nashville with longtime compadres Paul DeFigilia (Avett Brothers) and Mat Davidson (Twain), began in 2019 with Slim’s decision to get sober. Even though the singer-songwriter kicked alcohol years ago, the insidious monster of addiction had crept back into his life in different guises. The last straw came during a road trip with a friend, who, at the end of the journey, let it be known that the man he knew and loved was no longer recognizable. So Slim called his manager and loved ones and soon checked into a program. That experience and his ongoing recovery program have given him a framework for grappling with the personal demons that have always skulked in the shadows, and helped him find light in the void. “It’s important for me to talk honestly about these things, because I feel it gives me strength, and it might help others along the way.” he says.
Strawberry Mansion is the singer-songwriter’s seventh full-length album. He released his first record, Electric Love Letter, back in 2004. Since then he has graced the stages of Bonnaroo, Lollapalooza, Newport Folk Festival, and the Conan O’Brien show, winning fans over with his heart-on-a-sleeve sincerity and rousing live shows.
Born Sean Scolnick in 1980, Slim took part of his artistic moniker from his hometown of Langhorne, Pennsylvania, a place he’s still very much connected to despite making his home in Nashville. Since the advent of Covid-19, he has been traveling back to PA once a month to see his mother and grandmother, and, like many Americans, finding strength in his origins and family bonds. The title Strawberry Mansion refers to the neighborhood in Philadelphia where both of his grandfathers grew up, a place he calls “dirty but sweet, tough but full of love, where giants roamed the earth and had names like Whistle and Curly.” That idea of a mythical wonderland informs the new album from head to toe. Strawberry Mansion is not so much about nostalgia for the past as it is about the possibility of better days ahead in this world. These are songs that remind us we’re all part of a collective “Mighty Soul,” united in one journey, just like the characters in that old Philly neighborhood. It’s a life-affirming album for these times.
Medicare Educational Presentation – presented by SimcoHR.
August 11th and 2nd Friday of every month at 1 PM at Simco, 2531 Rochester Rd, Canandaigua, NY 14424.
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